Selected Press Quotes:

Dmitri Atapine gave a remarkable performance of Ligeti’s Sonata, which he played effortlessly, with purity, clarity and a good balance of tenderness and command.
— The Strad • Leah Hollingsworth • July 2017
Dmitri Atapine had a particularly captivating stage presence, engaging both his audience and his ensemble with his cello playing.
— NY Theatre Guide • Elizabeth Glasure • Dec. 23, 2016
Winn’s entertaining “Variations on a Theme of Bartók” [...] gives Dmitri Atapine a brilliant showcase for his expressive sound and acrobatic chops.
— Gramophone • Laurence Vittes • Mar. 2016
se cerró la primera parte con el melódico Primer Cuarteto de cuerda , Op. 5 de Milhaud en el que el violonchelista Dmitri Atapine se convirtió en líder del grupo. [The first half closed with the melodious First String Quartet, Op. 5 by Milhaud, where the cellist Dmitri Atapine became the leader of the group]
— El Mundo (Spain) • José Antonio Cantón • Jun. 8, 2015
Federico Agostini, violin, Rebecca Albers, viola, and Dmitri Atapine, cello, realized both the rhythmic intricacies and the lyrical lines of the work [Dohnanyi Serenade] with great skill. [...] the performance gave appropriate emphasis to the viola and, especially, the strong energy surging from the cello.
— Sarasota Herald-Tribune • Richard Storm • Apr. 15, 2015
Beauty, warmth, lyricism and deep sentiment would be just what we could expect and it was supplied in ample measure by cellists Dmitri Atapine, Julie Albers, and Antonio Meneses, with pianist Derek Han.
— Sarasota Herald-Tribune • Gayle Williams • Apr. 15, 2014
[in Leon Kirchner’s Trio No. 2 for Piano, Violin and Cello] there are lots of big, soaring tunes for the cello – beautiful and intense playing from Dmitri Atapine – followed and pushed along by the other two instruments.
— New York Classical Review • George Grella • Feb. 14, 2014
Daniel Phillips’s phrases were long and impassioned in [Brandenburg Concerto] No. 1, which also featured confident work from the cellist Dmitri Atapine and the bassist Kurt Muroki
— The New York Times • Zachary Woolfe • Dec. 17, 2013
The beauties [in Messiaen’s ‘Quartet for the End of Time’], at any rate, were legion – [...] cellist Dmitri Atapine‘s rich tone, color sense and heartbreaking inflections in the fifth, “Praise to the Eternity of Jesus” [...]
— Classical Voice North America • Mike Greenberg • Jul. 22, 2013
Cellist Dmitri Atapine compounds matters by identifying so closely with the music’s mostly tonal flow and 2012 sense of portamento – exploratory rather than merely expressive – that the result is outright seduction. While Atapine is taking command with brilliant technical chops and a free broad way with the phrasing, Adela Hyeyeon Park is doing her part with precision, power and tremendous glee.
— Gramophone Magazine • Laurence Vittes • Oct. 2012
These two multi-award winning musicians prove to be highly persuasive advocates, and [...] Dmitri Atapine’s playing is highly impressive throughout.
— The Strad • David Denton • Oct. 2012